First, my work has lean on the memory of my beloved Africa. The painting is largely influenced by a recurring composition of placing conceptual rather than realistic forms into the lushness of unnatural setting. The body of work makes use of research on black monochrome, exploiting the collage of paperboard, drawing, photography and video. I rather seek an exchange, a sensory fusion between the work and the spectator. The expression passes before the perfection, the unknown before the known.  No message, no theory. Everybody interprets my work according to his or her own reference.